|
1) The tuning is actually DADDAd, and *not* DDDDAd
as I originally thought. This might seem like a major
change, but in fact it's hard to tell the difference. All of
the chord fingerings remain the same. The only way
I determined the 5th string was an A was that Stills plays
a brief riff on the top three strings during his solo.
2) I originally indicated chord (3) as the second chord
in the first set of verses (e.g., on the word "point" in
"It's getting to the point..."). Careful viewing/listening
to the video made me change this to chord (8). It doesn't
seem to go as well with the melody note, but that's what
Stills seems to be playing.
Modal
Chords D A D D A d (These chord names are
------ + + + + + + obviously approximations)
(1) = 0 0 0 0 9 7 D
(2) = 0 0 0 0 8 6 Db
(3) = 0 0 0 0 7 5 C
(4) = 0 0 0 0 5 4 D
(5) = 0 0 0 0 0 0 D
(6) = 0 0 0 0 2 0 G
(7) = 7 0 0 7 0 0 A
(8) = 5 0 0 5 0 0 G
(9) = 5 5 0 0 3 3 G7 (Stills fingers TT00ii)
(10) = 2 x x x x x E bass
(11) = 10 0 0 10 0 0 C
(12) = 0 0 0 0 0 5 C
(13) = 0 0 0 0 0 4 B
(14) = 0 0 0 0 3 2 C
(15) = 0 0 0 0 2 0 G
(16) = 0 0 0 10 10 10 C
(17) = 0 0 0 10 10 14 Em
(18) = 0 0 0 9 9 12 D
(19) = 0 0 0 9 9 9 B
(20) = 0 0 0 7 7 7 A
(21) = 14 0 0 14 0 0 Em
(22) = 10 0 0 10 0 0 C
(23) = 12 0 0 12 0 0 D
(24) = x x x x x <12> D harmonic
(25) = 0 0 0 0 12 10 F
(26) = 3 0 0 3 0 0 F
(27) = 0 0 0 10 10 13 E?
(nc) = no chord strumming, let the previous one ring
(Intro with flat pick = 1 2 3 4 5 6 5 6 5 4 5 6 5 6 5, twice)
(now hand strum...)
(4)It's getting to the (8)point where I'm no (4)fun any(7)more
And I am (8)sorry (9)
(4)Sometimes it (8)hurts so badly I (4)must cry out (7)loud
That I am (8)lonely (9)
I am (4)yours, you are (7)mine, you are (8)what you are (9)
You make it (4)hard (10 slides to 8)
(4)Remember what we've (8)said, and done
And (4)felt about each (7)other
Oh babe, have (8)mercy (9)
(4)Don't let the (8)past remind us of (4)what we are not (7)now
I am not (8)dreaming (9)
I am (4)yours, you are (7)mine, you are (8)what you are (9)
You make it (intro riff, still hand strum)hard
(In the original recording he throws a 1 25 into the middle of
the riff)
(4)Tearing your(8)self away from me (4)now you are (7)free
And I am (8)sorry (9)
(4)This does not (8)mean that I don't love you
I (4)do, that's (7)forever
Yes, and for (8)always (9)
I am (4)yours, you are (7)mine, you are (8)what you are (9)
You make it (4)hard (10 slides to 8)
(4)Something (8)inside is telling me
That (4)I've got your (7)secret
Are you still (8)listening? (9)
(4)Fear is the (8)lock
And laughter the (4)key to your (7)heart
Yes, and I (8)love you (quickgrabaflatpickand 9)
I am (4)yours, you are (7)mine, you are (8)what you are (9)
You make it (4)hard (10 slides to 8)
And you make it (4)hard (10 slides to 8)
Oh, and you make it (4)hard (10 slides to 8)
Yes, and you make it (4)hard
(12 13 12 5 24, five times)
(nc)Friday evening(12 13 12 5 24)
(nc)Sunday in the (8)afternoon (9)
(nc)What have you got to (5)lose?
(24 12 13 12 5 24 12 13 12 5 24)
(nc)Tuesday morning (12 13 12 5 24)
(nc)Please be gone I'm (8)tired of you(9)
(nc)What have you got to (5)lose? (24 12 13 12 5 24)
(nc)I've got an answer (12 13 12 5 24)
(nc)I'm going to (8)fly away (9)
(nc)What have I got to (5)lose? (24 12 13 12 5 24, twice)
(nc)Will you come see me(12 13 12 5 24)
(nc)Thursdays and (8)Saturdays? (9)
(nc)What have I got to (5)lose? (24)
(17 18 17 18) (note: sometimes 17-27-18 rather than 17-18)
(14)Chestnut brown (4)canary, (15)ruby throated (4)sparrow
(3)Sing a song, (1)don't be long
(16)Thrill me to the (17)marrow (18)
(17 18 17 18)
(14)Voices of the (4)angels, (15)ring around the (4)moonlight
(3)Asking me, said (1)she so free
(16)How can you catch the (17)sparrow? (18)
(17 18 17 18)
(14)Lacy lilting (4)lyrics, (15)losing love (4)lamenting
(3)Change my life, (1)make it right, (16)be my (17)lady (18)
(Ending = 17 18 17 18 17 18 17 18 17 18 19 20
then 8 7 21 22 23 repeats with doo doo doo doot doo etc)
|
