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  • the key to playing this tune effectively is texture. this song is perfect
    for dropping your low e down to d, but trey doesn't do this, probably due
    to the continuity problems it would pose.
  •  
    trey is basically outlining very simple chords above mike's steady d. it's
    really extraordinarily simple, phish-wise, but a great tune. for
  • guitarists out there who might not automatically notice the arpeggio's,
    i've put the chords they refer to in parenthesis.
     
  • anyway, so when playing this, let every note ring as long as possible and,
    if you're used to playing with your fingers, really snap the strings when
    it seems appropriate.
  •  
    main theme:
     
  • (D) (C) (G) (D)
     
    e------10--12p10-----------8--10p8------------7--------5-----------|
  • B----------------10----------------8---8----8---8----7---7---------|
    G--/11--------------11--/9-----------9----7--------7---------------|
    D------------------------------------------------------------------|
  • A------------------------------------------------------------------|
    E------------------------------------------------------------------|
     
  • (G) (D)
    e------3--5p3-----------------------------------------|
    B----3--------3--------3-----3------------------------|
  • G--4------------4------2-----2------------------------|
    D-------------------0--------0------------------------|
    A-------------------0--------0------------------------|
  • E-------------------------1---------------------------|
     
    theme 2:
  •  
    (F) (G) (D)
    e-------------------------------------|
  • B---------6--------8-----3------------|
    G-------5--------7-------2------------|
    D-----3--------5------0---------------|
  • A---3--------5--------0---------------|
    E-------------------------------------|
     
  • intro
     
    main theme x2
  • C G F D x2
    theme 2 x4
    main theme x2
  • theme 2 x4
    C G F D x2
    theme 2 x4
  •  
    verses
     
  • D C G F x2
    G F D x4 (holding D the last time)
     
  • (this whole thing repeated twice)
     
    this goes back to half of the intro.
  •  
    solo
     
  • the only thing i can say is that mike is taking trey's role, impossing
    different bass notes over the D.
     
  • he seems to like to start out like this:
     
    D G F# F C ,
  • slowly progressing to other, sometimes far-flung, stuff.
  • PLAY TOO ..
TicketOne

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