Charles Lindbergh Was A Fuck Machine

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  • Gtr I (D A D G B E) - 'Pan Left'
    Gtr II (D A D G B E) - 'Pan Center'
     
  • Intro Sample
    Cybergrind Q=161
    N.C.
  • 4/4
    Gtr I
    Wx8
  • |--------||
    |--------||
    |--------||
  • |--------||
    |--------||
    |--------||
  •  
    Sample continues
    D5
  • S S E S S E S S E S S E S S E S S E S S E S S E
    ||--------------------------|-------------------------|
    ||o-------------------------|-------------------------|
  • ||--------------------------|-------------------------|
    ||--------------------------|-------------------------|
    ||o-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-|
  • ||--0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-|
     
    F5 E5
  • S S E S S E S S E S S E H H
    |-------------------------|------------||
    |-------------------------|-----------o||
  • |-------------------------|------------||
    |-------------------------|-3----2-----||
    |-0-0-0-0-0-0-0-0-0-0-0-0-|-3----2----o||
  • |-0-0-0-0-0-0-0-0-0-0-0-0-|-3----2-----||
     
    Noise
  • N.C. F5G5D5 F5G5D5 F5G5D5 F5G5D5
    W E E H. E E H. E E H. E E H.
    |----------||--------------|-------------|-------------|------------||
  • |----------||o-------------|-------------|-------------|-----------o||
    |----------||--------------|-------------|-------------|------------||
    |----------||--------------|-------------|-------------|------------||
  • |----------||o-3s5-0-------|-3s5-0-------|-3s5-0-------|-3s5-0-----o||
    |----------||--3s5-0-------|-3s5-0-------|-3s5-0-------|-3s5-0------||
     
  • Urrrr
    Q=85
    D5
  • Gtr II
    PM-------------------------------------------------------|
    E E E Q. E E E E E Q. E E E E E Q. E E E E E H E
  • |----------------|----------------|----------------|--------------||
    |----------------|----------------|----------------|--------------||
    |----------------|----------------|----------------|--------------||
  • |----------------|----------------|----------------|--------------||
    |-0-0-0------0---|-0-0-0------0---|-0-0-0------0---|-0-0-0--------||
    |-0-0-0------0---|-0-0-0------0---|-0-0-0------0---|-0-0-0--------||
  •  
    More Noise
    Q=161
  • N.C.
    W W W W
    |----------|----------|----------|------||
  • |----------|----------|----------|------||
    |----------|----------|----------|------||
    |----------|----------|----------|------||
  • |----------|----------|----------|------||
    |----------|----------|----------|------||
     
  • Ooooghh
    D5
    PM PM----| PM--------|
  • E E E E E E Q Q. S S E S S E E
    ||-----------------|--------------------|
    ||o----------------|--------------------|
  • ||-----------------|--------------------|
    ||-----------------|--------------------|
    ||o-0---0-0-0-0----|------0-0-0-0-0-0---|
  • ||--0---0-0-0-0----|------0-0-0-0-0-0---|
     
    PM PM----| PM--------|
  • E E E E E E Q Q. S S E S S E E
    |----------------|----------------------||
    |----------------|---------------------o||
  • |----------------|----------------------||
    |----------------|----------------------||
    |-0---0-0-0-0----|------0-0-0-0-0-0----o||
  • |-0---0-0-0-0----|------0-0-0-0-0-0-----||
     
    "Loud noises!Outro
  • Q=85
    N.C. D5
    PM PM----| PM--------|
  • W E E E E E E Q Q. S S E S S E E
    |----------||-----------------|--------------------|
    |----------||o----------------|--------------------|
  • |----------||-----------------|--------------------|
    |----------||-----------------|--------------------|
    |----------||o-0---0-0-0-0----|------0-0-0-0-0-0---|
  • |----------||--0---0-0-0-0----|------0-0-0-0-0-0---|
     
    PM PM----| PM--------|
  • E E E E E E Q Q. S S E S S E E
    |----------------|-----------------------||
    |----------------|----------------------o||
  • |----------------|-----------------------||
    |----------------|-----------------------||
    |-0---0-0-0-0----|------0-0-0-0-0-0-----o||
  • |-0---0-0-0-0----|------0-0-0-0-0-0------||
     
    Duration Legend
  •  
    W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
    + - note tied to previous; . - note dotted; .. - note double dotted
  • Uncapitalized letters represent notes that are staccato (1/2 duration)
    Irregular groupings are notated above the duration line
    Duration letters will always appear directly above the note/fret number it represents the
  • duration for. Duration letters with no fret number below them represent rests. Multi-
    bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
    melody durations appear below the staff
  •  
    Tablature Legend
     
  • h - hammer-on
    p - pull-off
    b - bend
  • pb - pre-bend
    r - bend release (if no number after the r, then release immediately)
    /\ - slide into or out of (from/to "nowhere")
  • s - legato slide
    S - shift slide
    - natural harmonic
  • [n] - artificial harmonic
    n(n) - tapped harmonic
    ~ - vibrato
  • tr - trill
    T - tap
    TP - trem. picking
  • PM - palm muting
    \n/ - tremolo bar dip; n = amount to dip
    \n - tremolo bar down
  • n/ - tremolo bar up
    /n\ - tremolo bar inverted dip
    = - hold bend; also acts as connecting device for hammers/pulls
  • <> - volume swell (louder/softer)
    x - on rhythm slash represents muted slash
    o - on rhythm slash represents single note slash
  •  
    Misc Legend
     
  • | - bar
    || - double bar
    ||o - repeat start
  • o|| - repeat end
    *| - double bar (ending)
    : - bar (freetime)
  • $ - Segno
    & - Coda
    Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
  • PLAY TOO ..
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Charles Lindbergh Was A Fuck Machine
PRESCHOOL TEA PARTY MASSACRE
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