Document (Album)

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  • Intro riff:
     
    E-|-----------------------------|-------0---------0-0-x-0-0----|
  • B-|----0-0-0-0-0---0-0-0-0-0-0--|-0-0-0-0-0-----0-0-0-x-0-0----|
    G-|-o--4-4-4-4-4---4-4-4-4-4-4--|-4-4-4-4-4-----4-4-0-x-0-0--o-|
    D-|-o---------------------------|----------------------------o-|
  • A-|-----------------------------|------------------------------|
    E-|-----------------------------|------------------------------|
     
  • Verse:
     
    Badd4
  • E-|--0-0-0-0-0------0-0-0-0-0-0-0--|------------|
    B-|--0-0-0-0-0------0-0-0-0-0-0-0--|------------|
    G-|--4-4-4-4-4------4-4-4-4-4-4-4--|------%-----|
  • D-|--4-4-4-4-4------4-4-4-4-4-4-4--|------------|
    A-|--2-2-2-2-2------2-2-2-2-2-2-2--|------------|
    E-|--------------------------------|------------|
  •  
    {Use verse riff}
    The time to rise has been engaged
  • You're better best to rearrange
    I'm talking here to me alone
    I listen to the finest worksong
  •  
    E F#
    Your finest hour
  • E F#
    Your finest hour
     
  • {Intro riff}
     
    {Use verse riff}
  • Another chance has been engaged
    To throw Thoreau and rearrange
    You are following this time
  • I beg you not beg to rhyme
     
    E F#
  • (blow your horn) Your finest hour
    E F#
    (blow your horn) Your finest hour
  •  
    {Intro riff}
     
  • {Use verse riff}
    Take your instinct by the reins
    Your better best to rearrange
  • What we want and what we need
    Has been confused been confused
     
  • E F#
    (blow your song) Your finest hour
    E F#
  • (blow your song) Your finest hour
     
    {Break: A single notes: A G F# G A}
  •  
    {Use verse riff}
    Take your instinct by the reins
  • Your better best to rearrange
    What we want and what we need
    Has been confused been confused
  •  
    E F#
    (blow your song) Your finest hour
  • E F#
    (blow your song) Your finest hour
    E F#
  • (blow your song) Your finest hour
     
    {end with Em and various harmonics}
  •  
    WELCOME TO THE OCCUPATION (Version 1)
     
  • Intro: Am7 / / / D2 / G D/F#
     
    Em G Em D2 note: when going from the Em to the G
  • Hang your collar up inside and back, walk the bass notes up
    Hang your dollar on me and down: E--0--2--3- (up)
    Listen to the water still E--3--2--0- (down)
  • Listen to the cause where you are
     
    Am7 D2 Cmaj7 D2
  • Fed and educated,
    primitive and wild
    Welcome to the occupation
  •  
    Em G Em D2
    Here we stand and here we fight
  • All your fallen heroes
    Held and dyed and skinned alive
    Listen to the Congress fire
  •  
    Am7 D2 Cmaj7 D2
    Offering the educated
  • primitive and loyal
    Welcome to the occupation
     
  • Em G Em D2
    Hang your collar up inside
    Hang your freedom higher
  • Listen to the buyer still
    Listen to the Congress
     
  • Am7 D2 Cmaj7 D2
    Where we propagate confusion
    Primitive and wild
  • Fire on the hemisphere below
     
    {Break}: Fmaj7 Em (x2)
  • G D
     
    Em G Em D2
  • Sugar cane and coffee cup
    Copper, steel and cattle
    An annotated history
  • the forest for the fire
     
    Am7 D2 Cmaj7 D2
  • Where we open up the floodgates
    Freedom reigns supreme
    Fire on the hemisphere below
  •  
    Em G Em Dsus2
    Listen to me
  • Em G Em Dsus2
    Listen to me
    Em G Em Dsus2
  • Listen to me
    Em G Em Dsus2
    Listen to me
  •  
    Ending: Bm D Em
     
  • Welcome to the Occupation (Version 2)
     
    The guitar is tuned as follows: E A D G B E (from low to high)
  •  
    Intro
     
  • E5 D5 (let ring)
    E-------0-----0----|------------------|
    B---------0-----0--|-3----------------|
  • G------------------|-2----------------|
    D-2----------------|-0----------------|
    A-2----------------|------------------|
  • E-0----------------|------------------|
    rake rake
     
  • Verse 1
     
    1 2 3 4 1 2 3 4
  • ~ ~
    E------------------|-----------0------|------------------|-----------0------|
    B-----0-------3----|-----0-------3----|-----0-------3----|-----0-------3----|
  • G------------------|---------4-----4--|------------------|---------4-----4--|
    D------------------|------------------|------------------|------------------|
    A------------------|------------------|------------------|------------------|
  • E------------------|------------------|------------------|------------------|
     
    Hang your collar Up inside Hang your dollar On me
  •  
    ~ ~
    E------------------|-----------0------|------------------|-----------0------|
  • B-----0-------3----|-----0-------3----|-----0-------3----|-----0-------3----|
    G------------------|---------4-----4--|------------------|---------4-----4--|
    D------------------|------------------|------------------|------------------|
  • A------------------|------------------|------------------|------------------|
    E------------------|------------------|------------------|------------------|
     
  • Listen to the Water still Listen to the Causeway
     
    Chorus 1 (let all notes ring)
  •  
     
    E---------0--------|-0-------0--------|---------0--------|-0-------0--------|
  • B-----0-------0----|-----3-------3----|-0-----------0----|-----3-------3----|
    G-4-----4----------|------------------|-----4------------|------------------|
    D------------------|------------------|------------------|------------------|
  • A------------------|------------------|------------------|------------------|
    E------------------|------------------|------------------|------------------|
     
  • You are Man and Educated Primitive and Wild
     
    E---------0--------|-0-------0-2-0----|
  • B-0-----------0----|-----3---------0--|
    G-----4------------|---------------4--|
    D------------------|------------------|
  • A------------------|------------------|
    E------------------|------------------|
     
  • Welcome to the Occupation
     
    Verse 2
  •  
    |------------------|------------------|------------------|------------------|
     
  • Here we stand And here we find All your fallen Heroes
     
    |------------------|------------------|------------------|-----fill-1-------|
  •  
    Held and died and Skinned alive Listen to the Congress buyer
     
  • E-----------0------|
    B-----0-------3----|
    G---------4--------| fill 1
  • D------------------|
    A------------------|
    E------------------|
  •  
    Verse 2 is exactly the same as verse 1, except where fill 1 is indicated.
     
  • Chorus 2 (let all notes ring)
     
    ^ ^ ^
  •  
    E---------0--------|-0-------0--------|-0-------0--------|-0-------0--------|
    B-----0-------0----|-----3-------3----|-----0-------0----|-----3-------3----|
  • G-4----------------|------------------|------------------|------------------|
    D------------------|------------------|------------------|------------------|
    A------------------|------------------|------------------|------------------|
  • E------------------|------------------|------------------|------------------|
     
    Offering the educated Primitive and loyal
  •  
    ^ ^
    E-0-------0--------|-0-------0-2-0----|
  • B-----0-------0----|-----3---------0--|
    G------------------|------------------|
    D------------------|------------------|
  • A------------------|------------------|
    E------------------|------------------|
     
  • Welcome to the occupation
     
    Verse 3
  •  
    |-----fill-2-------|------------------|------------------|------------------|
     
  • Hang your collar Up inside Hang your freedom Higher
     
    |------------------|------------------|------------------|-----fill-1-------|
  •  
    Listen to the Buyer still Listen to the Congress, where we
    ~~
  • E------------------|
    B-----0--------3---|
    G-----4------------| fill 2
  • D------------------|
    A------------------|
    E------------------|
  •  
    Verse 3 is exactly the same as verse 1, except where fills 1 and 2 are indicated.
     
  • Chorus 3 (let all notes ring)
     
    |------------------|------------------|------------------|------------------|
  •  
    Propagate Confusion Primative And wild
     
  • |------------------|----fill-3--------|
     
    Fire on the Hemisphere below
  •  
    E-0-------0--------|
    B-----3-------3----|
  • G------------------| fill 3
    D------------------|
    A------------------|
  • E------------------|
     
    Chorus 3 is the same as Chorus 2, except where fill 3 is indicated.
  •  
    Interlude (let all notes ring)
     
  • Fmaj7 Em Fmaj7 Em
    ^ ^ ^ ^
    E-0---0----0-------|-0---0----0-------|------0----0------|-0----0----0------|
  • B--------1---1-----|-------1----1-----|-0-------0----0---|---------0----0---|
    G--------------2---|--------------2---|------------------|------------------|
    D------------------|------------------|------------------|------------------|
  • A------------------|------------------|------------------|------------------|
    E------------------|------------------|------------------|------------------|
     
  • Oooh ..................................
     
    Fmaj7 Em Fmaj7 G D
  • ^ ^ ^
    E-0----0----0------|-0---0----0-------|------0----0------|-333--3---22-2----|
    B---------1---1----|-------1----1-----|-0-------0----0---|-333--3-0-33-3----|
  • G---------------2--|--------------2---|----------------0-|-000--0-0-22-2----|
    D------------------|------------------|----------------0-|-000--0-0---------|
    A------------------|------------------|------------------|-222--2-----------|
  • E------------------|------------------|------------------|-333--3-----------|
    X X
    Slightly emphasise the first note in each bar.
  •  
    Verse 4
     
  • |------------------|-----fill-1-------|------------------|------------------|
     
    Sugar cane and Coffee Cup Copper steel and Cattle
  • |------------------|------------------|------------------|-----fill-1-------|
     
    An annotated History The forest for the Fire, where we
  •  
    Verse 2 is exactly the same as verse 1, except where fill 1 is indicated.
     
  • Chorus 4 (let all notes ring)
    -------------------------------
     
  • |------------------|------------------|------------------|--------------
    ----|
     
  • Open up the Floodgates Freedom reigns Supreme
    |------------------|------------------|
     
  • Fire on the Hemisphere, below
     
    Chorus 4 is exactly the same as Chorus 2.
  •  
    Outro
     
  • Play these 4 bars, 3 times.
    ~ ~
    E------------------|-----------0------|------------------|-----------0------|
  • B-----0-------3----|-----0-------3----|-----0-------3----|-----0-------3----|
    G------------------|---------4--------|------------------|---------4--------|
    D------------------|------------------|------------------|------------------|
  • A------------------|-(this is fill-1)-|------------------|------------------|
    E------------------|------------------|------------------|------------------|
     
  • (To me) Listen to me Listen
    ~ ~ 1 2 3 4
    E------------------|-----------0------|------------------|------------------|
  • B-----0-------3----|-----0-------3----|-----0-------3----|-----0------------|
    G------------------|---------4--------|------------------|------------------|
    D------------------|------------------|------------------|---------4---7----|
  • A------------------|------------------|------------------|---------2---5----|
    E------------------|------------------|------------------|------------------|
    B5 D5
  • To me Listen to me
     
    E-0----------------|
  • B-0----------------|
    G-0----------------| rake the B5, D5 and Em chords.
    D-2----------------|
  • A-2----------------|
    E -----------------|
    Em (let ring)
  •  
    'Buskers' Version (Verses)
     
  • If you aren't playing in a band, the verses aren't very inspiring
    to play. Below are the 2 bars used in the verses, which include
    the bass line arranged for guitar. It may take practice to get the
  • picking and string skips working together. The bracketed notes are
    optional - they aren't part of the bass line but fill out the wide
    interval skips, giving the part a fuller sound.
  •  
    ~
    E------------------|-------------0----|
  • B-----0-------3----|------0--------3--|
    G------------------|--------4-------4-|
    D------------------|------------------|
  • A--(2)-----(2)-----|---(2)---0-2------|
    E-0-----2-3--------|2-0---------------|
     
  • TAB Key
     
    X - mute with palm of hand
  • ~ - hold note
    ^ - emphasise note
    rake - exagerate the strumming of the chord
  • (but not enough for it to be an arpeggio)
    Notes
    The song mix is pretty infuriating if you are trying to unravel what
  • all the instruments are doing in it. The guitar is less prominant than
    the bass, drums and vocals. The drums contain alot of high-hat work and
    general percussion which can be mistaken for low level acoustic guitar.
  •  
    The guitar has a clean tone throughout.
     
  • The guitar in the verses is very sparse, the bass and drums fill things
    out. The verses are nominally the same, slight differences are labelled
    as 'fills'.
  •  
    The choruses are easier to hear, all are similar. The differences are
    labelled as fills. Make sure the open-E-string is emphasised (when
  • indicated). All the notes are shown as occuring on a beat, this isn't
    strictly true, the guitar plays 'around' the beat - but it's as accurate
    as ascii tab can show, listen to the record to get the proper 'feel'.
  •  
    The interlude may countain an acoustic guitar deep down in the mix. Its
    very difficult to hear exactly whats going on. The chords above the tab
  • show what the guitar is likely to be playing.
     
    EXHUMING MCCARTHY (Version 1)
  •  
    (Riff taken from Wayne Ellis' version)
     
  • G# C# G# C# G# C#
    You're beautiful more beautiful than me
    F# G# C# G# C#
  • You're honorable more honorable than me
    G# C# D# C#
    Loyal to the Bank of America
  •  
    |--------------------------------|------2---------------------|
    |--------------------------------|----------------------------|
  • |------4b5-(4b5)-4-2----------2--|--4b5---4b5--4b5r4-p2----2--|
    |---------------------4--2--4----|-----------------------4----|
    |--------------------------------|----------------------------|
  • |-0--2---------------------------|----------------------------|
     
    |---------------------------|---2-----------------|--------------|
  • |---------------------------|-2-------------------|--------------|
    |-----2---2----2----2--4b5--|-----4b5-4--2--------|-2------------|
    |--4----4---4----4----------|--------------4-2--4-|---4--4p2-4-2-|
  • |---------------------------|---------------------|--------------|
    |---------------------------|---------------------|--------------|
     
  • (It's a sign of the times) (It's a sign of the times)
     
    F# B F# B
  • You're sharpening stones, walking on coals
    F# B C# B
    To improve your business acumen.
  • F# B F# B
    Sharpening stones, walking on coals,
    F# B C# B
  • To improve your business acumen.
     
    G# C# G# C# G# C# F#
  • Vested interest united ties, landed gentry rationalize
    G# C# G# C# G# C# D# C#
    Look who bought the myth, by jingo, buy America
  •  
    |--------------------------------|------2---------------------|
    |--------------------------------|----------------------------|
  • |------4b5-(4b5)-4-2----------2--|--4b5---4b5--4b5r4-p2----2--|
    |---------------------4--2--4----|-----------------------4----|
    |--------------------------------|----------------------------|
  • |-0--2---------------------------|----------------------------|
     
    |---------------------------|---2-----------------|--------------|
  • |---------------------------|-2-------------------|--------------|
    |-----2---2----2----2--4b5--|-----4b5-4--2--------|-2------------|
    |--4----4---4----4----------|--------------4-2--4-|---4--4p2-4-2-|
  • |---------------------------|---------------------|--------------|
    |---------------------------|---------------------|--------------|
    (It's a sign of the times) (it's a sign of the times)
  •  
    F# B F# B
    You're sharpening stones, walking on coals
  • F# B C# B
    To improve your business acumen.
    F# B F# B
  • Sharpening stones, walking on coals,
    F# B C# B
    To improve your business acumen.
  •  
    G# C# G# C# G# C# F#
    Enemy sighted enemy met, I'm addressing the realpolitik
  • G# C# G# C# G# C# D# C#
    Look who bought the myth, by jingo, buy America
     
  •  
    C / / / C / / / Eb / / / Eb / / /
    "Let us not assassinate this man further
  • C / / / C / / / Eb / / / Eb / / /
    Senator, you've done enough. Have you no sense of decency, sir?
    C / / / C / / / Eb / / / Eb / / /
  • At long last, have you left no sense of decency?"
     
    F Eb C# B
  •  
    F# B F# B
    You're sharpening stones walking on coals
  • F# B E
    To improve your business acumens
    F# B F# B
  • sharpening stones walking on coals
    F# B E
    To improve your business acumens
  •  
     
    F# B F# B F# B E
  • Enemy sighted enemy met, I'm addressing the realpolitik
    F# B F# B
    You've seen start and you've seen quit
  • (I'm addressing the table of content)
    F# B E
    I always thought of you as quick
  • F# B F# B F# B E
    Exhuming McCarthy Exhuming McCarthy
    (Meet me at the book burning) (Meet me at the book burning)
  •  
    {end on F#}
     
  • EXHUMING MCCARTHY (Version 2)
     
    The guitars are tuned as follows: E A D G B E (from low to high)
  •  
    Intro
     
  • |------------------|------------------| 2 Bars of drums, alone.
     
    Verse 1
  •  
    G# C# G# C# G# C# F#
    D D U D U D U D D D D D D
  • E------------------|------------------|------------------|------------------|
    B-------4--6-6-6-6-|-------4--6-6-6-6-|-------4--6-6-6-6-|------------------|
    G-5--5--4--6-6-6-6-|-5--5--4--6-6-6-6-|-5--5--4--6-6-6-6-|-3--3--3--3--3-3/-|
  • D-6--6--4--6-6-6-6-|-6--6--4--6-6-6-6-|-6--6--4--6-6-6-6-|-4--4--4--4--4-4/-|
    A-6--6-------------|-6--6-------------|-6--6-------------|-4--4--4--4--4-4/-|
    E-4--4-------------|-4--4-------------|-4--4-------------|-2--2--2--2--2-2/-|
  • X X X
    You're beautiful More Beautiful Than me You're honourable More
     
  • G# C# G# C# G# C# F# C#
    E------------------|------------------|------------------|------------------|
    B-------4--6-6-6-6-|-------4--6-6-6-6-|-------4--6-6-6-6-|------------------|
  • G-5--5--4--6-6-6-6-|-5--5--4--6-6-6-6-|-5--5--4--6-6-6-6-|-/8--8---6-6-6-6--|
    D-6--6--4--6-6-6-6-|-6--6--4--6-6-6-6-|-6--6--4--6-6-6-6-|-/8--8---6-6-6-6--|
    A-6--6-------------|-6--6-------------|-6--6-------------|-/6--6---4-4-4-4--|
  • E-4--4-------------|-4--4-------------|-4--4-------------|------------------|
    X X X
    Honourable Than me Loyal to the Bank of America
  •  
    Guitar Solo 1
     
  • E------------------|------------------|------------------|---2--------------|
    B------------------|------------------|------------------|------------------|
    G------------------|-4b--4[5]-4-2-----|----2-------------|-4b-4b--4brp2---2-|
  • D------------------|--------------4-2-|-4----------------|--------------4---|
    A------------------|------------------|------------------|------------------|
    E-0--2-------------|------------------|------------------|------------------|
  •  
    E------------------|------------------|----2-------------|------------------|
    B------------------|------------------|-2----------------|------------------|
  • G-----2------2-----|----2------2--4b--|-----4b--2--------|----2-------------|
    D--4------4--------|-4------4---------|------------4--2-(2h)4--4--4mbp2-4-2-|
    A------------------|------------------|------------------|------------------|
  • E------------------|------------------|------------------|------------------|
    X *
    (It's a sign of the times) (It's a sign of the times)
  •  
    * for the micro-bend (in 4mbp2) pull the string down - towards the high E
    string, and then pulloff to fret 2.
  •  
    Chorus 1
     
  • F# C# B F# B C# B F#
    E------------------|------------------|------------------|------------------|
    B------------------|------------------|------------------|------------------|
  • G-3--3---4---6---6-|-6----------------|--3---------------|------------------|
    D-4--4---4---6---6-|-6---6----4-------|--4--------4------|-6--6----4--------|
    A-4--------------4-|-4---4----2--0--4-|--4--------2------|-4--4----2--0--4--|
  • E-2----------------|----------------2-|--2---------------|---------------2--|
    X X U X
    You're sharpening Walking on coals To improve your Business acumen
  • stones
     
    F# C# B F# B C# C# B
  • F#
    E------------------|------------------|------------------|------------------|
    B------------------|------------------|------------------|------------------|
  • G----3---4---------|------------------|---3--------------|------------------|
    D----4---2-------6-|-6----6----4------|---4---4---6------|-6--6----4--------|
    A----4-----------4-|-4----4----2-0--4-|---4---2---4------|-4--4----2-----4/-|
  • E----2-------------|----------------2-|---2--------------|------------0--2/-|
    X X U X X
    You're sharpening Walking on coals To improve your Business acumen
  • stones
     
    Verse 2
  •  
    G# C# G# C# G# C# F#
    |------------------|------------------|------------------|-fill-1-----------|
  •  
    Vested interest United ties Land of gentry Rationalise
    G# C# G# C# G# C# F# C#
  • |------------------|------------------|------------------|------------------|
     
    Look who bought the myth Buy a jingle Buy America
  • (Look who bought the myth)
     
    F#
  • E-----------------|
    B-----------------|
    G-3--3--3--3---3/-| fill 1
  • D-4--4--4--4---4/-|
    A-4--4--4--4---4/-|
    E-2--2--2--2---4/-|
  •  
    Verse 2 is the same as verse 1, except where fill 1 is indicated.
     
  • Guitar Solo 2
     
    E------------------|------------------|------------------|---2--------------|
  • B------------------|------------------|------------------|------------------|
    G------------------|-4b--4[5]-4-2-----|----2-------------|-4b-4b--4brp2---2-|
    D------------------|--------------4-2-|-4----------------|--------------4---|
  • A------------------|------------------|------------------|------------------|
    E-0--2-------------|------------------|------------------|------------------|
     
  • E------------------|------------------|------------------|------------------|
    B---------------2--|------------------|------------------|----5---7b9r7-b9r7|
    G-----2--4--4b-----|--4b--2-----------|-----2-----4---2--|-/6---6-----------|
  • D--4---------------|---------4---2----|-4------4---------|------------------|
    A------------------|------------------|------------------|------------------|
    E------------------|------------------|------------------|------------------|
  •  
    (Its a sign of the times) (Its a sign of the times)
     
  • Chorus 2
    slight rake
    F# C# B F# B C# B
  • E------------------|------------------|------------------|------------------|
    B------------------|------------------|------------------|------------------|
    G-3--3---4-------6-|-6----------------|-3-3--------------|------------------|
  • D-4--4---4-------6-|-6----------4-----|-4-4-------4------|-6--6----4--------|
    A-4--------------4-|-4----------2-----|-4-4-------2------|-4--4----2--------|
    E-2----------------|------------------|-2-2--------------|------------------|
  • X U X
    You're sharpening Walking on coals To improve your Business acumen
    stones
  • slight rake
    F# C# B F# B C# B
    F#
  • E------------------|------------------|------------------|------------------|
    B------------------|------------------|------------------|------------------|
    G--3---------------|------------------|-3-3--------------|------------------|
  • D--4--4-------4--6-|-6-------------4--|-4-4-------4------|-6--6----4--------|
    A--4--4-------2--4-|-4-------------2--|-4-4-------2------|-4--4----2--4-----|
    E--2---------------|------------------|-2-2--------------|------------2-----|
  • X U
    You're sharpening Walking on coals To improve your Business acumen
    stones
  •  
    Verse 3
     
  • G# C# G# C# G# C# F#
    |------------------|------------------|------------------|------------------|
     
  • Enemy sighted Enemy met I'm addressing The
    realpolotik
     
  • G# C# G# C# G# C# F# C#
    |------------------|------------------|------------------|-fill-2-----------|
     
  • Look who bought the myth Buy a jingle Buy America
    (Look who bought the myth)
     
  • F# C#
    E------------------|
    B------------------|
  • G-/8--8---6---6----| fill 2
    D-/8--8---6---6----|
    A-/6--6---4---4----|
  • E------------------|
     
    Verse 3 is the same as verse 1, except where fill 2 is indicated.
  •  
    Spoken Quote Section-
     
  • guitar 1 (mute throughout)
    C5 C5 D#5 D#5
    E------------------|------------------|------------------|------------------|
  • B------------------|------------------|------------------|------------------|
    G------------5-----|-----5-------5/---|-----8------------|-8---8---88/------|
    D555--5------5-----|-----5-------5/---|888--8------------|-8---8---88/------|
  • A333--3---3-----3--|-3-------33-------|666------6--------|---6--------------|
    E------------------|------------------|------------------|------------------|
    | |tr | |
  • guitar 2 | | | |
    E------------------|------------------|------------------|------------------|
    B-----5-------5----|-----5-------5----|-----8-------8----|-----8-------8----|
  • G-----5-------5----|-----5-------5----|-----8-------8----|-----8-------8----|
    D------------------|------------------|------------------|------------------|
    A------------------|------------------|------------------|------------------|
  • E------------------|------------------|------------------|------------------|
     
    Let us not assasinate this man
  • further than the truth
     
    C5 C5 D#5 D#5
  • E------------------|------------------|------------------|------------------|
    B----with-guitar3--|--double_fill-1---|------------------|------------------|
    G------------------|------------------|-----8------------|-8---8---88-------|
  • D5
  • PLAY TOO ..
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