Tuning: Standard
Fig. 1
Q Q E Q E Q E Q E Q Q Q E Q E Q E Q E Q
|--------------|--------------|--------------|---------------|
|--------------|--------------|--------------|---------------|
|-3--6--3-5--3-|-6--3-5--3-6--|-3--6--3-5--3-|-6--3-5--3-6---|
|--------------|--------------|--------------|---------------|
Fig. 2
Q Q E Q E Q E Q E Q Rest x 2 bars
|--------------|--------------|--------------|
|--------------|--------------|--------------|
|-3--6--3-5--3-|-6--3-5--3-6--|--------------|
|--------------|--------------|--------------|
Fig. 3
Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
|-------------|-------------|------------------|-----------------|
|-------------|-------------|------------------|-----------------|
|-------------|-------------|-/10--10--10--10--|-10--10--10--10--|
|-4--4--4--4--|-4--4--4--4--|------------------|-----------------|
Q Q E Q E Q E Q E Q
|--------------|--------------|
|--------------|--------------|
|-3--6--3-5--3-|-6--3-5--3-6--|
|--------------|--------------|
Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q
|-------------|-------------|------------------|-----------------|
|-------------|-------------|------------------|-----------------|
|-------------|-------------|-/10--10--10--10--|-10--10--10--10--|
|-4--4--4--4--|-4--4--4--4--|------------------|-----------------|
Fig. 4
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|------------------------|-------------------------|
|-----------------|-----------------|------------------------|-------------------------|
|-----------------|-----------------|---10-10-10-10-10-10-10-|-10-10-10-10-10-10-10-10-|
|-8-8-8-8-8-8-8-8-|-8-8-8-8-8-8-8-8-|-8----------------------|-------------------------|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|------------------------|-------------------------|
|-----------------|-----------------|------------------------|-------------------------|
|-----------------|-----------------|---10-10-10-10-10-10-10-|-10-10-10-10-10-10-10-10-|
|-8-8-8-8-8-8-8-8-|-8-8-8-8-8-8-8-8-|-8----------------------|-------------------------|
E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E E
|-----------------|-----------------|------------------------|-------------------------|
|-----------------|-----------------|------------------------|-------------------------|
|-----------------|-----------------|---10-10-10-10-10-10-10-|-10-10-10-10-10-10-10-10-|
|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|-4----------------------|-------------------------|
End
E E E E E E E E E E E E E E E E
|-----------------|-----------------*|
|-----------------|-----------------*|
|-----------------|-----------------*|
|-8-8-8-8-8-8-8-8-|-8-8-8-8-8-8-8-8-*|
*rest 22 bars*
Fig. 1
*rest 2 bars*
Fig. 2 x3
Fig. 3
Fig. 4 x2
*rest 4 bars*
Fig. 2 x12
Fig. 3
*rest 8 bars*
Fig. 4 x3
End
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
PLAY TOO ..